輔仁大學
學術資源網

記錄編號3268
狀態NC088FJU00238004
助教查核
索書號
學校名稱輔仁大學
系所名稱英國語文學系
舊系所名稱
學號485206025
研究生(中)朱鳳蓮
研究生(英)Chu Feng Lin
論文名稱(中)謝默斯‧黑倪詩中自我定位、否定和藝術之衝突
論文名稱(英)Self-Justification and Self-Obliteration in Seamus Heaney's Poems
其他題名
指導教授(中)蕭笛雷
指導教授(英)Rahael Schulte
校內全文開放日期
校外全文開放日期
全文不開放理由
電子全文送交國圖.
國圖全文開放日期.
檔案說明
電子全文
學位類別碩士
畢業學年度88
出版年
語文別英文
關鍵字(中)社群 人我關係 藝術文化衝突 個人空間 自我否定 謝默斯‧黑倪
關鍵字(英)communities self and others relationships conflicts in aesthetics personal space self-abnegations Seamus Heaney
摘要(中)本篇論文旨在探討謝默斯?黑倪在政治紛擾的社會生態,定位自我和藝術的衝突。第一章的語言形成多層次的文化社群,抗衡社會暴力,沼澤詩連結被壓迫族群的聲音,而文學角色則表達英國愛爾蘭文化認同的衝突,黑倪遠離貝爾法斯否定社會語言暴力,重建詩的文化信念。第二章討論社會意識的抑壓人性,否定社會權力的集體普遍化概念,詩人拒絕藝術傳達派系動亂的政治思想,疑惑詩的社會性,在自我否定的失落中,重申詩的生命。第三章闡明變動是生命的常態和藝術的原動力,而飛翔的意象,引申跨越社會壓抑的人性,強調藝術不與社會價值妥協,主張個人空間以及和諧人我關係的重要。
摘要(英)Self-justification moves to release subjectivity from the institutionalized community, and self-obliteration deconstructs the communal faith and struggles in conflicts of transgression and individual space. In the severe political conflicts, Heaney demonstrates that poetry is not the alternative expression between politics and art. For him, to write is to construct a new cultural frontier that resists political persecutions and justifies the released human relationships. Through crises of self-abnegation, the poet manifests his trust in aesthetics. In chapter one, I assert that from the interlocking silence and language, poetry resists social mechanisms and justifies that poetic identity confronts sectarian conflicts. Heaney critiques social mechanisms and poetic responses. His departure from Belfast reveals new confrontations with subjectivity and social oppressions. In chapter two, I argue that self-obliteration deconstructs concepts of solidarity and justifies aesthetic consciousness from disillusionment in transcendence. Heaney questions the suffocative concept of solidarity and tribal identification. The poet is confused and in despair. The last chapter I suggestthat aesthetic justification is socially bound, and through the frustrated desire to be free, Heaney justifies a sense of emptiness and harmony in personal space and human relationships. This thesis illustrates conflicts in subjectivity and analyses communal restraints. Through examining the institutionalized self, art is a source to construct personal space and release.
論文目次Table of Contents Introduction ……………………………………………………………………… 1 Chapter One: Communities and Identities ………………… 18 Chapter Two: Self-Obliterations …………………………………………… 51 Chapter Three: Conflicts between Aesthetics and Self-Justification ……… 79 Conclusion ……………………………………………………… 111 Works Cited …………………………………………………… 118
參考文獻Works Cited Adorno, Theodor. Aesthetics Theory. Trans. C.Lenhardt. Ed. Gretel Adorno and Rolf Tiedemann. London: Routledge, 1970. ---. “Commitment”Notes to Literature Vol. 2. 76-54. ---. Minima Moralia: Reflections from Damaged Life. Trans. E.F.N. Jephcott. 3rd ed. London: Verso, 1985. ---. Notes to Literature. Trans. Shierry Weber Nicholsen. Ed. Rolf Tiedemann. 2 vols. New York: Columbia UP, 1991. Trans. Of Noten Aur Lieratur. 1974. ---. “On Lyric Poetry and Society.” Notes to Literature Vol. 1. 37-54. ---. Prisms. Cambridge: MIT, 1990. Allen, Michael, ed. New Casebooks: Seamus Heaney. Houndmills: Macmillan, 1997. Allison, Jonathan. The Erotics of Heaney's Joyce.” Colby Quarterly 30.1 (1994): 25-32. Andrews, Elmer, ed. Seamus Heaney: A Collection of Critical Essays. Houndmills: Macmillan, 1992. ---. The Poetry of Seamus Heaney: All the Realms of Whisper. London: Longman, 1989. Bottommore, Tom, et al., eds. A Dictionary of Marxist Thought. Cambridge: Harvard UP, 1983. Boyce, D.C. The Irish Question and British Politics, 1868-1996. 2nd ed. Houndmills: Macmillan, 1996. Brandes, Randy. "Interview with Seamus Heaney." Salmagundi 80 (1988): 4-21. Cahill, Eileen. "A Silent Voice: Seamus Heaney and Ulster Politics." Critical Quarterly 29.3 (1987): 55-70. Coles, Romand. "Identity and Difference in the Ethical Positions of Adorno and Habermas.” White 19-45. Corcoran, Neil. A Student's Guide to Seamus Heaney. London: Faber, 1986. ---. The Poetry of Seamus Heaney. London: Faber, 1998. Craig, Patricia, ed. The Oxford Book of Ireland. Oxford: Oxford UP, 1998. Eagleton, Terry. The Ideology of the Aesthetic. Oxford: Basic Blackwall, 1990. Eisenman, Stephen F. Nineteenth Century Art. London: Thames and Hudson, 1984. Erlich, Victor. Modernism and Revolution: Russian Literature in Transition. Cambridge: Harvard UP, 1994. Fowles, John. Wormholes: Essays and Occasional Writings. Ed. Jan Relf. London: Vantage, 1999. Garratt, Robert F. Modern Irish Poetry: Tradition and Continuity From Yeats to Heaney. Berkeley: U of California P, 1989. ---, ed. Critical Essays on Seamus Heaney. New York: G.K.Hall, 1995. Girard, Rene. The Scapegoat. London: Athlone P, 1986. Glob, P.V. The Bog People: Iron-Age Man Preserved. Ithaca: Cornell UP, 1970. Groden, Michael, and Martin Kreisuirth. Guide to Literary Theory and Criticism. Baltimore: The Johns Hopkins UP, 1994. Harrington, John P, ed. Modern Irish Drama. New York: Norton, 1991. Hart, Henry. Seamus Heaney: Poet of Contrary Progression. Syracuse: Syracuse UP, 1992. Hawlin, Stefan. "Seamus Heaney's 'Station Island': The Shaping of a Modern Purgatory.” English Studies 73.1 (1992): 35-50. Heaney, Seamus. "Crediting Poetry." Opened Ground. 447-467 ---. Death of a Naturalist. London: Faber, 1966. ---. Door in the Dark. London: Faber, 1969. ---. Field Work. London: Faber, 1979. ---. The Government of the Tongue: The 1986 T.S. Eliot Memorial Lectures and Other Critical Writings. London: Faber, 1988. ---. “The Interesting Case of Nero, Chekhov’s cognac and a Knocker.” The Government of the Tongue: The 1986 T.S. Eliot Memorial Lectures and Other Critical Writings. xi-xxiii. ---. North. London: Faber, 1975. ---. Opened Ground. London: Faber, 1998. ---. The Place of Writing. Atlanta: Scholar P, 1989. ---. Preoccupations: Selected Prose 1958-1978. London: Faber, 1980. ---. The Redress of Poetry. London: Faber, 1995. ---. Seeing Things. London: Faber, 1991. ---. Station Island. London: Faber, 1984. ---. Sweeney Astray. London: Faber, 1984. ---. Wintering out. London: Faber, 1972. Hogan, Katherine M. “The Political Poetry of Seamus Heaney: An Explication of Poetic Strategies.” Diss. New York U, 1989. Horowitz, Gregg M. “Art History and Autonomy.” Huhn and Zuidervaart 259-285. Huhn, Tom. “Kant, Adorno, and the Social Opacity of the Aesthetic.” Huhn and Zuidervaart 238-257. ---, and Lambert Zuidervaart, eds. The Semblance of Subjectivity: Adorno’s Aesthetic Theory. Cambridge: MIT, 1997. Jay, Martin. Adorno. Cambridge: Harvard UP, 1984. Josipovici, Gabriel. The Book of God: A Response to the Bible. New Haven: Yale UP, 1988. Joyce, James. A Portrait of the Artist as a Young Man. Taipei: Bookman. Kearney, Richard. Postnationalist Ireland: Politics, Culture, Philosophy. London: Routledge, 1997. ---. Transitions: Narratives in Modern Irish Culture. Manchester: Manchester UP, 1988. Kiberd, Declan. Inventing Ireland. Cambridge: Harvard UP, 1995. Ledger, Sally, et al., eds. Cultural Politics at the Fin De Siecle. Cambridge: Cambridge UP, 1995. Lloyd, David. “‘Pap for the Dispossessed’: Seamus Heaney and the Poetics of Identity.” Allen 154-184. Luce, Clare Boothe, ed. Saints for Now. New York: Sheed and Ward, 1952. Malloy, Catharine. "Seamus Heaney’s Seeing Things:‘Retracing the path back . . .’” Malloy and Carey 157-173. ---, and Carey Phyllis. Seamus Heaney: The Shaping Spirit. New York: U of Delaware P, 1996. Matthews, Steven. Irish Poetry: Politics, History, Negotiation: The Evolving Debate, 1969 to the Present. Houndmills: Macmillan, 1997. McDonald, Peter. Mistaken Identities: Poetry and Northern Ireland. Oxford: Clearendon P, 1997. McGrinness, Arthur E. “Seamus Heaney: The Forging Pilgrim.” Essays in Literature 18.1 (1991): 46-67. Meiners, R.K. "Mourning For Our Selves and For Poetry: The Lyric After Auschwitz." The Centennial Review 35.3 (1991): 545-590. Molino, Michael R. Questioning Tradition, Language, and Myth. Washington: Catholic U of America, 1994. Murphy, Andrew. Seamus Heaney. Plymouth: Northcote, 1996. The New Jerusalem Bible. London: Darton, 1990. Nietzsche, Wilhelm Friedrich. The Will to Power. Trans. Walter Kaufmann. Ed. Walter Kaufmann. New York: Random, 1967. O’Brien, Darcy. “Ways of Seeing Things.” Malloy and Carey 174-192. O'Donoghue, Bernard. Seamus Heaney and the Language of Poetry. New York: Harvester, 1994. Parker, Michael. Seamus Heaney: The Making of the Poet. Iowa: U Iowa P, 1993. Perrin, David Brian. Canciones Entre El Alma Y El Esposo of Juan De La Cruz. Diss. U Saint Paul, 1996. San Francisco: Catholic Scholars P, 1996. Quinlan, Kieran. "Unearthing a Terrible Beauty: Seamus Heaney’s Victims of Violence." World Literature Today (1993): 365-369. Regan, Stephen. “W.B.Yeats and Irish Cultural Politics in the 1890s.” Ledger et al 67-84. Ramazani, Jahan. Poetry of Mourning: The Modern Elegy from Hardy to Heaney. Chicago: U of Chicago P, 1994. Shakespeare, William. Henry V. The Riverside Shakespeare. Ed. G Blakemore Evans. Boston: Houghton Mifflin, 1974. Simmons, James. “The Trouble with Seamus.” Andrews 39-67. Stanfield, Paul Scott. “Facing North Again: Polyphony, Contention.” Garratt, Critical Essays on Seamus Heaney 97-109. Vattimo, Gianni. The Adventure of Difference: Philosophy After Nietzsche and Heidegger. Baltimore: Johns Hopkins UP, 1993. Vendler, Helen. The Breaking of Style. Cambridge: Harvard UP, 1995. ---. “On Three Poems by Seamus Heaney.” Salmagundi 80 (1988): 66-70. ---. Seamus Heaney. Cambridge: Harvard UP, 1998. Watson, G.T. “Cathleen Ni Houlihan.” Harrington 414-420. Watt, R.J.C. “Seamus Heaney: Voices on Helicon.” A Quarterly Journal of Literary Criticism 44.3 (1994): 213-34. White, Stephen K, ed. Cambridge Companion to Habermas. Cambridge: Cambridge UP, 1995. Wilhelmsen, Elizabeth. Knowledge and Symbolization in Saint John of the Cross. Frankfurt AmMain: Peter Lang, 1993. Wills, Clair. Improprieties: Politics and Sexuality in Northern Irish Poetry. Oxford: Clarendon P, 1993.
論文頁數123
附註
全文點閱次數
資料建置時間
轉檔日期
全文檔存取記錄
異動記錄M admin Y2008.M7.D3 23:17 61.59.161.35